Tuesday, January 08, 2019

We are the Champions!

I've paid my dues
Time after time
I've done my sentence
But committed no crime
And bad mistakes 
I've made a few
I've had my share of sand kicked in my face
But I've come through
- Queen, We are the Champions


"...play is called off! India win the Test series 2-1! Finally, it's official. After 72 years, India have beaten Australia down under." - ESPNCricinfo ball-by-ball commentary

I first saw India playing in Aus in 1991 - almost 3 decades ago. We lost 4-0 and had never came close to winning the series ever since. That is why this series victory is different. It is not an in-your-face, adrenaline fuelled, edge of the seat feeling. It is much more satisfying.  

Results of India v Aus test series' in played in Aus
source: Cricbuzz

We started this series as favourites - or joint favourites. Throughout the series at almost all the key moments, we performed as the favourites. And finally, in Sydney, we won the series as the favourites. 

Over the years, even when India got close or won a game, it was as the underdogs punching up. In this series, when Australia won in Perth, they were the underdogs punching up. 

That is what has made this win so much more satisfying. Knowing that we were better than them. Playing better than them. Throughout the series.

We are the (satisfied) champions.

Tuesday, September 12, 2017

American President: Chronicles of a Disaster


Donald Trump's candidacy for the most powerful job in the world and subsequent presidency deserves its own movie franchise. A combination of reality TV, sitcom, thriller, satire, parody, R-rated comedy and more! Think Dr. Strangelove - but presidential.

The Tweeter-in-Chief has already provided us with enough material for at least a trilogy and with his current rate, we may have a Harry Potter style 8 part series of mega blockbusters on our hands.

Here's the crew that I think will be best suited for this magnum opus...

Working title: American President: Chronicles of a Disaster

Director : David Fincher
Written by : Aaron Sorkin

Starring
  • Will Ferrell as Donald Trump
  • Monica Bellucci as Melania Trump
  • Margot Robbie as Ivanka Trump
  • Ryan Reynolds as Jared Kushner
  • Meryl Streep as Hillary Clinton
  • Kevin Spacey as Bill Clinton
  • Alec Baldwin as Steve Bannon
  • Paul Giamatti as Reince Preibus
  • Idris Elba as Barrack Obama
  • Zoe Saldana as Michelle Obama
  • Liam Neeson as Robert Mueller
  • George Clooney as General Flynn
  • Steve Carell as Sean Spicer
  • Peter Capaldi as The Mooch

Feel free to pitch in with your suggestions. My Writer-Director duo will be happy to hear your thoughts.

@Hollywood movie moguls - over to you.

Friday, August 12, 2016

Please Sir, I Want Some More!

I first got to know Nawang during his final year in school. Until then, I only knew him as a senior from the Nehru house. It was a distant acquaintance. He wasn't unapproachable, but I never had any reason to approach him.

That changed with Mrs. Saldanha, our school principal’s announcement during assembly one morning.

“... and finally, I am happy to announce that this year, our school’s annual play will be performed in new format. Instead of multiple plays in Hindi and English like in previous years, we will present a single play. This year, the students of the St. Xavier’s Boys’ Academy will perform a play based on the book Oliver Twist by Charles Dickens.”

The announcement was a disappointment to most students. By eliminating the competition round, the rivalry to score points between our four great houses of Tagore, Tilak, Nehru and Kabir had been taken away. Conspiracy theories swirled almost immediately.

She hates Mr. Singh / Mrs. Srivastava / Mr. Rai (our Hindi teachers) and doesn’t want them to win the award for the best play!”

“Saldi (the principals nickname) doesn’t want Kabir / Tagore / Nehru / Tilak house to win the championship.”

In hindsight, my guess is the real reason may simply have been that the teachers were struggling with the effort needed to present three different plays while simultaneously managing their classes and the curriculum.

Savio, a talented, hardworking and patient Director was hired to prepare the students for the grand event.

While many of us hadn’t read Oliver Twist, it was easy enough to see that the key parts were Oliver, Fagin, Nancy and Bill Sikes.

Oliver, was to be played by a talented junior, whom we’ll call Zubin (for the life of me, I can’t remember his name! Sorry Oliver). Nawang, Hrishikesh (Hrishi) and I were selected as the main supporting acts.

I was to play the villain Fagin, Nawang played Bill the thuggish bully and Hrishi drew the short straw (in our opinion) by being cast as Nancy. Naturally, he was ragged by most of us. Did I mention this was an all boys’ school?

Hrishi, though, was a good sport about it all and I don’t remember him ever losing his cool. Underneath however, I’m sure he was seething with the double frustration of being made fun of all the time and also for being selected to play the female lead!

The initial weeks of rehearsals were not promising. Lines and cues were constantly being missed or misspoken. Our singing was terribly off-key – especially by Oliver and me. There was no tone or tempo to any of the acts and scenes. Most importantly, there was zero chemistry among the main characters.

Much to the frustration of our director, Nawang and I acted like we were playing Bollywod villains from the 70s. Hrishi, meanwhile, was doing his best to prove that Nancy didn’t have a single feminine trait in her personality.

It was promising to be an absolute shambles. Secretly, I hoped that the teachers would recognize the disaster and go back to the original format. It was not to be. After the rocky start, things slowly started getting better.

It started with Nawang.

He took the lead by not teasing Hrishi anymore. I don’t know why he stopped – he certainly seemed to enjoy it as much as everyone else. Maybe one of the teachers had a word with him or maybe he himself thought that the joke wasn’t funny anymore. Whatever his reasons, being the most senior student in the play, his gesture didn’t go unnoticed by the rest of us and we fell in line quickly. No one teased Hrishi about playing a girl after that.

At another time, I was clowning around by singing Fagin’s lines to the tune of our Marathi morning prayer. Something really seemed to tick Nawang off as he berated me in front of everyone. While I can’t recall everything he said to me, the message was pretty clear, “If you aren’t serious, get out of here because you are ruining this for the rest of us who are trying!”

I don’t think I cried but I must have pretty close to it. It was the first time ever during my entire school life, that a student had scolded me! It was unlike anything I had experienced.

Having a senior student buying into the play had given a large fillip to the entire crew. Hrishi and Nawang got on well from then onwards and prepared earnestly for their roles. Nancy actually started displaying feminine traits!

Savio (the Director), who until then, seemed to have lost the will to live, sensed the change in mood and suddenly sprang to life. Forgotten lines and missed notes were no longer tolerated. We practiced harder than ever on getting it right.

As the play’s villainous trio, Hrishi, Nawang and I used to hang out together during rehearsal and after the initial awkwardness, the three of us got along well.

During one of the breaks in practice, he shared why he had gotten so agitated at me. “I’m sorry I shouted at you that day. But this is my final year in school. I don’t want my memories to be spoilt because of one lousy play. Even if this won’t be the best play in the school’s history, I absolutely don’t want it to be the worst. We’ll be mocked forever and never hear the end of it from everyone we know about how rotten we were!”

For the first time I imagined a disgruntled audience walking out midway through our performance. It wasn’t a happy feeling. Since I didn’t have a choice of backing out of the play, I decided to get serious and give it my best shot.

The regular practice sessions started to bear some results. So did the equal parts of encouragement and ear lashings, by Ms. Frank and Ms. Monteiro our resident music directors!

As things began to turnaround, Nawang’s potentially life-long embarrassment was turning into something good and noteworthy.

Towards the end of particularly good rehearsal, the three of us turned to each other and almost simultaneously said “Guys, that was pretty good!”

The day of the grand show arrived. While I was excited about performing before the entire school in a grand auditorium, I was also very nervous about flopping in my role as the lead villain.

I sheepishly confessed to Nawang and Savio that try as I might, I couldn’t remember the opening words to any of my dialogues. Nawang just laughed and said something along the lines of “Don’t worry. Say whatever you can remember. We’ve rehearsed so many times that we all remember each other’s lines. You won’t forget anything. Once it begins, you’ll be fine. Tension mat le!”

He was right. We received standing ovations for our performances. 

They loved us. We loved us!

Zubin (Tilak house), Hrishikesh (Tagore house), Nawang (Nehru house) and I (Kabir house) had excelled at our roles and forged a life-long friendship.

Or so we thought...

Almost twenty-five years since we performed Oliver Twist, we couldn’t be more distant from each other.

I can barely remember Zubin (if that was his name!). Hrishi and I drifted into different circles and careers. We didn’t keep in touch and haven’t met or spoken for over twenty years.

Then there’s Nawang.

We kept in touch briefly during college and even went hiking once with a few friends and his dad. Only then did I find out that his dad is a super cool dude and (along with his mom) is a famous mountaineer!

Unfortunately, our paths didn’t cross again.

The next time I heard about him was six years later. Nawang's elder brother, Sonam, taught a course in Bond Financing at my business school. It was through him that I found out, that Nawang was training to join the Indian Army.

Nawang soon became Lieutenant Nawang Harish Kapadia.

On September 2 2000, he was commissioned in the Fourth Battalion the Third Gorkha Rifles.

On November 11 2000, less than 3 months later, Nawang died while gallantly fighting Pakistan based terrorists in the jungles of Rajwar in Kupwara district of Srinagar.  

Just like that, he was gone.


--------------------------------------- *** ----------------------------------------


I did not get to know him as well as I could, but I am thankful that I got to know Nawang at all.

During our 8-week stint as co-villians in Oliver Twist, he had been my friend and guide.

When I found out that he had followed his dreams and taken the less beaten path of joining the army, he was my inspiration.

For living life on his terms, for showing true courage and bravery as he made the ultimate sacrifice for his battalion and country, Lieutenant Nawang Harish Kapadia will always be my hero.




Monday, March 14, 2016

Quantitative Easing facilitates Unicorn valuations

Startups are risky. One way to consider them is a high stakes gamble for a better (in most cases) tomorrow. Because most of the bets fail, the success stories look even more compelling.

In recent years, the traditional definition of success for startups though has transformed into something very different. Public listing on a prestigious stock exchange such as NASDAQ or NYSE was the ultimate end game for startups particularly those funded by venture capital (VC) funds. The onerous amount of paperwork along with the pressure and scrutiny of quarterly reporting cycles were an irritant rather than a deterrent. At a time when a public listing was the only true measure of the company’s worth and the most acceptable path to exit investments, the startup companies – sometimes under pressure from the VCs, embraced the hardships of a public listing.

Following the financial crisis of 2008, the advent of quantitative easing (QE) has turned into a game changer for startup funding. Thanks to the prolonged low interest rate regime in the developed world, investor funds now have a much longer threshold for generating returns. This has coincided with an emerging generation of entrepreneurs with a strong contempt for the public markets and its attendant regulations. Many of these with billion dollar valuation tags have been dubbed as “Unicorns” by the media. The most successful of these startups such as Uber have really put their investors between a rock and a hard place.

It is reported that Uber lost close to $1 billion in the first half of 2015, despite its (net) revenue tripling to more than $1.5 billion. The scale of their ambitions and operations may differ, but the story is being mirrored in successful startups across the board.

Grand investment plans are launched to realize their global ambitions but with no access to public capital, the gap is filled by private venture funds, which require ever increasing valuations. It’s a vicious cycle, as each investor either needs to double down on their bets or find another believer at ever-larger valuations for the expanding grand visions of the Unicorns – hoping that everyone keeps dancing until the music stops.

Investors, though, have no one but themselves to blame for this situation. Between their enthusiastic support for entrepreneurs with grand visions and not wanting to miss out on the next multi-bagger story, they have failed to rein in the ambitions of the current set of Unicorns’ leaders. A more demanding financial environment not driven by easy QE fueled easy money may have seen these behemoths either go public at a much earlier stage. If not, they would have sunk into obscurity, being unable to find a willing and patient investor base for their grand world domination schemes.

Things may be taking a realistic note though. Since the US Fed’s signal to end their QE program in December 2015 by increasing rates for the first time since 2006, the Titanic of the soaring valuations game has hit the iceberg of rationality.

Investors funded fewer U.S. startups in Q4 2015 than any period in more than four years. Since November 2015, at least a dozen tech companies, which combined raised well over $2 billion in venture funding, have announced layoffs, letting go hundreds of people. Other companies are closing money-losing projects and raising debt to tide them over. Some companies are raising funding by selling shares at lower prices than they had in earlier rounds. Others are turning to debt, which lets them raise money without setting a lower price for their equity.

Eric Setton, co-founder and chief executive of messaging app maker TangoMe, said he was cutting 20% of its staff to “createa sustainable business.” Less than two years earlier, the Mountain View, Calif., company raised $280 million in financing led by Alibaba Group Holding Ltd. at a $1 billion valuation.
Global spread of unicorn startups

The launch of the European Central Bank’s 1.1 trillion Euro quantitative easing program in January this year will draw investors around the globe into riskier assets in Europe. Eurozone stock markets have already outperformed the U.S., U.K. and Japan since the ECB confirmed it would go through with the bond-buying program. As the stock market investment options get saturated, the excess capital will inevitably find its way into higher risk private investments such as venture funds for startups.

The party may be ending in Silicon Valley, but may just be starting in Europe.


Monday, May 26, 2014

Ride report - 100km cycle ride for Wheels for Change Asia

Hot, humid and bright - that was the Batam that greeted Prash, Tony, Christian and me (minus Richard our absentee coach & captain) along with about 200 riders when we reached at 7 am local time. "This is already the hottest temperature I've ridden in, and we haven’t even started yet!” said Prash. Pleading looks towards the skies yielded no dark clouds anywhere on the horizon.


With Prash at the start


Following some last minute checks to the bikes and a bit of fuelling up on the Clif energy food bars, we set-off at 8 am. It was an uneventful start, except for riding with a police escort – a first for most of us. As Prash (he was a busybody throughout the ride) started shooting his mini-documentary on the ride, we settled into the rhythm of pedalling away for at least four to five hours.

Disaster struck for me after about 7 km when my cycle's chain came off the front sprocket. Nothing untoward I thought, it’s happened before and shouldn't take more than a couple of minutes to fix. It hadn't just come off though – one of the links had broken. What can I say, I have strong legs (not).

Fortunately, the repair van was tailing not too far back and they quickly set about to fix it. Despite their best efforts though, it took about 20 minutes to replace the busted link. The delay left me way beyond last place – even behind the tandem bikes which were part of the Singapore Disabilities Sports Council troupe with one visually impaired rider riding with a guide. 

There was worse news for me however - my front gears stopped working leaving me with just two on the rear and no traction on the front. “Think of the children. This is a charity ride, not a race. You’ll manage fine, you've trained well. It’s just rollers and undulating roads. There are no major hills here. You won’t need the gears!” As the monologue continued in my head, I kept pedalling away to regain my rhythm. 

It took about 8 km of steady, high cadence riding, but eventually I overtook all the tandem bikes and came up to the stragglers on the regular bikes and tailed them till the first check point at about 32 km. After a 5 minute break I was off towards the 2nd check point at the 49 km mark.

The target was to reach the third and final check point at 60 km. From there, the only way to get back on the ferry home was to head back and ride the remaining 37 km to the finish line. With just another 15 km to go, for the 3rd checkpoint, I was feeling pretty good about my chances despite my bike’s condition.

A special mention must be made here of the heat and humidity – which were abysmal. It was unbelievably hot throughout the first leg. There was no respite from the heat except for the short bursts of downhill riding which helped to catch a bit of the breeze. While the actual temperatures may have been 32-34 C, the uphill climbs made it feel like being in a furnace.


The APEG team (l to r: Tony, Prash, Christian and me)


The roads now started getting tougher. While there were no hills yet, the inclines on the climbs kept getting steeper at each turn. “It’s not a race, it’s a charity ride” replaced “Eye of the Tiger” in my mental chants as I struggled on past the second checkpoint. While it had been a tough ride so far, I had just about managed to keep my head above the water. The next 12 km to the final checkpoint, however, completely overwhelmed me.

These were not “rollers” or “undulating roads” but proper hilly roads. I didn't sign-up for hill climbs. I didn't prepare for hill climbs. I didn't want to do hill climbs.

Despite the short distance, this was by far the toughest part of the ride. The lack of gears was really starting to hurt now and the strain of the climbs would eventually take a toll on the legs. 

Christian passed me on his return leg about 5 km from the checkpoint. So despite my struggles, optimism swelled that I wasn't too far behind the others. If I could get a second, third, fourth wind, I may even be able to catch-up with them.

Tired and exhausted, I eventually made it to the final checkpoint and it was a huge relief to see Prash and Tony there, taking a break. As we merrily ranted about the weather, the toughness of the circuit, life in general and Richard in particular; we gradually recovered and started the journey back. A couple of other brave hearts joined us too – riding big, heavy mountain bikes!!!

My day was about to get much worse though. Within 3 km, cramps struck both legs leaving me off the bike and on the road. The others rode ahead to look for the ambulance to help me back up. After resting for a couple of minutes, I started cycling slowly as the ambulance found me after about 10 minutes. The pain relief (magic!) spray did its job and I was on my way again.

The ambulance staff wasn't too confident about my legs holding up though and decided to trail me all the way to the checkpoint. Whether my speed was 6 km or 60km (my top speed for the day), they were right behind me. Not a couple of kilometres behind, not a 100 metres behind but just one car length behind me. On an empty road with no other cyclists. Throughout. Despite their best intentions for my health, I couldn't help feeling like an injured / dying prey being tracked by a vulture.

I finally reached the checkpoint where once again Prash and Tony were waiting and were glad to see me riding rather than in the ambulance (still a car length behind me). The most welcoming part at that point was the rain. It was a short, hard shower and it was a great boost for us as we set off to cover the final 30 km expecting a relatively smooth ride to the finish.

This day however, was designed by Murphy himself to prove his damn law.

With 20 km to go, the ride organisers - led a by a policeman only bothered about not missing his lunch, asked us to stop riding and place our bikes in their van as there was only one hour left to finish the event. After some frantic haggling, we wrangled a half hour from them and continued on our way. We were all absolutely determined to finish and rode at a good pace (by our standards!) for the next 30 minutes. By then the showers had long vanished and personally for me, the effect of the magic spray on my legs was seeping away.

The key milestones on this last stretch were four big bridges, with the first one about 8 km from the finish. Struggling uphill and over the first bridge, I felt my calf lock up once again and couldn't go beyond a couple of kilometres after that and finally collapsed – about 5 km from the finish line. As they helped me in the pick-up truck to take me to the finish line, my disappointment at not finishing the circuit gave way to the satisfaction that I'd given it my absolute best - even though the vulture had eventually won!

The rest of the group rode across the finish line within the next 20 minutes and we all had a satisfactory celebration before being transported back to the ferry terminal.

The team at the finish line - we did it!


None of us is planning to do this event again, but we are all very proud of our efforts and the level of fitness we were able to achieve in a relatively short period of time. Equally important, our fundraising campaign (the whole point of all this effort!) has so far raised over S$5,900 for the supported charities - UNICEF's Schools for Asia programme and the Singapore Disability Sports Council.

DONATE HERE - http://www.justgiving.com/teams/BWFC

Until next time, adiós amigos!

Saturday, April 27, 2013

It's Terminal - Bollywood director's who've lost the plot


Despite several warnings, I was brave enough to go and see the new Chashme Buddoor. Of course it would be naive to expect anything close to the simple yet wholesome enjoyment of the original. However, this new version is directed by David Dhawan - undisputed king of comedy and paisa vasool movies until a few years ago. How wrong I was. As is usually the case, the warnings were correct - it was a complete, utter disaster of a movie and a complete waste of time.

The disappointment of Chashme Buddoor, drove home a sad realization - many of my favorite Bollywood directors seem to have completely lost the plot - for good. Not only have their recent movies have been complete duds, but more importantly, their cinema has lost (at least for me) the very essence that made them so successful in the first place.

So here I am, chronicling the failure of a few of my favroite Bollywood directors. Over the next few posts I'll cover a few film makers who should know better than to make the rubbish they've been dishing out over the past several years. 

Be warned though - expect a coherent analysis at your own peril. Mostly this mini-series of posts will see me ranting about my personal disappointment of these wildly successful individuals who have not produced works which meet my ephemeral expectations.



Alas, the maverick of Bollywood is no more.

He's been replaced by an impostor who displays the worst traits of the original master who gave us Shiva, Rangeela, Satya, Bhoot and many other good and great entertainers. Besides the cool movies he directed, he provided a terrific platform to a whole new generation of directors and technicians (Shimit Amin, Sriram Raghavan; Anuraag Kashyap - to name just a few) through his aptly named production house - Factory.

How bad has it got you ask? Take your pick from any one of the last 5 (maybe 10?) years of Ramu's efforts. I give you Department, Bhoot Returns, Nishabd and the benchmark by which duds all over the world should be judged - RGV Ki Aag. I will save you the frustration by not linking to any of these black holes of time.
With his most recent efforts Not a love story and The Attacks of 26/11, he's plunged to even greater depths. These attempts to cash in on sensationalist headlines with C grade movies are nothing more than the desperate acts of a man well beyond his prime. Even the great Amitabh Bachchan has been reduced to hamming, hawing and boring us with his turns with in a variety of roles for RGV.

As for the fans, any of RGV's remaining fans who watch his recent movies are only doing so in the faint hope that the original RGV might resurface with his craft intact.

Alas, the maverick of Bollywood is no more.


Subhash Ghai

First he gave us this in Vishwanath and Kaalicharan which shot Shatrugun Sinha to stardom and immortalised the eternal conversion of lions to loins ... along with from iconic dialogues such as

जली को आग केहते हैं, बुजी को राख केहते हैं
और जिस आग से बारूद बने उसे विश्वनाथ केह्ते हैं!!! 

Several more blockbusters and even more iconic dialogues followed...




I give you Subhash Ghai. The ultimate wannabe showman of Bollywood. The man whose canvas on screen was always larger than life. The man who loved telling us epic tales of love, betrayal, revenge in loud melodramatic overtones.

At his best, his movies embodied every caricature and stereotype bollywood is known for - only larger. Bombastics dialogues, massive sets, dollops of melodrama and operatic musical set pieces brought to life with a master's flourish.

Then the 90s called.

While RGV is blamed for being too inflexible during his prolonged (terminal) slump, Ghai has been the complete opposite. He has reversed his style dramatically with disastrous results.

Try comparing the maker of Kaalicharan, Karz, Karma, Ram Lakahan with duds such as Yaadein, Black & White, Taal and Yuvraaj. You'll find a film maker who's turned away from every element of his success in his quest to appeal to an audience that has moved on without giving him a forwarding address.

This is a real shame, since many of today's (commercially) successful movies such as Dabangg, Singham, Rowdy Rathore would be right up the Big Ghai's alley! Surely he can see that the best way to get his audience back is to show them what he wants to make and watch himself rather than what he "thinks" they want to watch.

However, after several decades in the industry, I doubt if we'll see any more blockbusters from The Subhash Ghai. More's the shame.

One two ka four, four two ka NONE!



Wednesday, November 28, 2012

Poems to inspire - the final part, my Movember swansong

As I bid farewell to my mo-carnation, I leave you in the dramatic company of the grand master of verse William Shakespeare. Among his various priceless works, he gave us the beautiful verse "All the World's a Stage" from his play As You Like It.

So, one last time, for your reading pleasure, a poem to (hopefully) inspire you. 

As always, do take a peek at my Movember page to post any of your own inspiring messages and make a donation for this worthy cause.
 

All the World is Stage
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything."